His mother's small estate had passed to him after her death

You know you can phone me — here's my mother's number

你可以给我打电话——给你，这是我母亲的电话号码。

柯林斯高阶英汉双解学习词典

After her mother's death, Sara clung to her aunt more than ever.

萨拉在母亲去世后比以往任何时候都更依附于她的姨妈。

《牛津高阶英汉双解词典》

She was used to her mother's histrionics.

她习惯了母亲装腔作势的样子。

《牛津高阶英汉双解词典》

I didn't take my father's or my mother's side; I tried to remain neutral.

我既不支持父亲也不袒护母亲，尽力做到不偏不倚。

《牛津高阶英汉双解词典》

Her mother's very sick.

她母亲病得很厉害。

《牛津高阶英汉双解词典》

The baby sucked at its mother's breast.

婴儿在吮吸母亲的奶。

《牛津高阶英汉双解词典》

She faked her mother's signature on the document.

她伪造了她母亲在文件上的签字。

《牛津高阶英汉双解词典》

My mother's dead; she died in 1987.

我母亲不在了，她是1987年去世的。

《牛津高阶英汉双解词典》

She felt her mother's death very deeply.

她深感丧母之痛。

《牛津高阶英汉双解词典》

The void left by his mother's death was never filled.

他母亲死后留下的空虚感永远没能填补上。

《牛津高阶英汉双解词典》

My mother's hospital expenses were slowly draining my income.

我母亲的住院开销把我的收入渐渐耗光了。

《牛津高阶英汉双解词典》

A rich variety of images of female groups in Chuanqi of the Late Ming Dynasty has always been an important territory of research but witnessing inadequacy of comprehensive studies to date.

晚明传奇中多姿多彩的女性群像是一个很重要但又缺乏整体研究的领域。

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On the contrary, the writing of the Chinese ancient drama, including Nang opera, Zaju, and Chuanqi fails to conform to this theory.

而中国古代戏剧即南戏、杂剧、传奇的创作实践与这种理论相悖。

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As an adaptation for the literati's literature-focused Nanxi drama," Chuanqi" reflects the concept of drama of that time.

这一改称反映出文人阶层对文人南戏价值品格的认定，而选用传奇称名也有其文学渊源和戏剧观念背景。

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From Nanxi Chaste Women Zhao and Erlang Cai to Chuanqi The Story of Lute;

从南戏《赵贞女蔡二郎》到传奇《琵琶记》

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Both Yuan Za Ju and Ming Chuanqi are reflections of social life, reflections and extract of the periods' cultures.

元杂剧和明传奇都是社会生活的反映，都是时代文化的折射和浓缩。

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Tang Chuanqi is one kind of mature state classical Chinese novel taking form in the Tang Dynasty, be the literature peak existing simultaneously with Tang poetry.

唐传奇是在唐代形成的一种成熟状态的文言小说，是与唐诗并立的文学高峰。

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At the same time, Chuanqi created by literati is very close to Zaju, while they were also difficult to put on.

而同时期的文人传奇不仅在形貌上与杂剧日趋接近，并且也同样难以演出。

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It shows that the writers for Zaju and Chuanqi, creative at the time of innovation, and still adhere to old standards.

它表明了文人进行杂剧、传奇创作时，在有所创新之时，对旧标准仍有所坚持。

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Ming Chuanqi enriched the contents to different extent, loaded more contents of social life, therefore their themes are more complicated.

明传奇的篇幅比较长，容量也比较大，明传奇在改编中对原有的元杂剧作品进行了不同程度的丰富，承载了更多的社会生活内容，因而主题比较复杂。

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