He believes that since classical Chinese poetry is the combination of beauty in sense, sound and form, a translator should try his or her best to reproduce the "three beauties" of the original poetry. This theory has profound historical and cultural foundation.

Hopefully, this thesis will serve as a modest spur, and more scholars and researchers will be inspired and encouraged to delve into systematic study on this subject and more effective strategies and methods will be applied to the English translation of classical Chinese poetry.

希望本文可以起到抛砖引玉的作用，吸引更多的学者专家对这一题材进行系统的研究，针对中国古典诗歌英译中音美传递的问题提出更多有效的方法策略。

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On literary translation standard from an aesthetic point of view, the paper will suggest the unity of sound, form and content in the highest possible aesthetic perfection, which also takes into account aesthetic subjects& translators and readers.

至于本人在文学翻译标准方面的观点，则主张在考虑审美主体（译者和读者）的影响下，译文应最大程度再现原文的音美、形美、意美。

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Then, authors can't translate the question and discuss, thus prove while translating to the ancient poetry the absolute sound is beautiful, the shape is beautiful and the artistic conception is beautiful is often difficult to realize.

接着，作者对古诗翻译中不可译问题进行了讨论，从而说明绝对的音美、形美和意境美往往是难以实现的。

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This paper is aimed at discussing the methods of translating English trademarks into Chinese from the angle of the principle of equivalence theory, combined with the principle of "beauty in sense, form and sound".

本文从功能对等的理论出发，将意美、音美、形美作为衡量英文商标翻译成功与否的标准，探寻英文商标翻译遵循的技巧。

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The second part deals with the basic concepts such as the relationship between music and poetry, the function of musicality in poetry, and the trinity of sound, sense, and form in poetry;

第二部分深入探讨了音乐与诗歌的关系、音乐性在诗歌中的作用以及音美与诗歌中的其它两个重要因素－意美和形美的关系；

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The essay answers the Query's queries theoretically to expound the "Triple Beauty" theory in poetic translation while, on the other hand, refutes the examples put forth by the Query.

文章一方面从理论上对《质疑》中提出的问题进行了回答，阐述了译诗的三美理论：意美、音美、形美；

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Couplets, as part of our folklore, are popular in China. Its unique art forms shown by the beauty in meaning, sound and form, take the fancy of the people.

楹联作为我国民俗的一部分，其独特的艺术形式所表现出来的意美、形美、音美为人们所喜爱。

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Furthermore, it has put forward how to realize brands'beauty in form, beauty in sound, and beauty in meaning by analyzing the basic rules and citing several examples of brand-translation.

本文根据美学原理阐述了商标翻译的美学原则，并结合商标翻译的基本准则和实例分析了翻译商标时，如何使译名具有形美、音美、意美等美学特征。

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The author, by drawing on the theory of text typology, attempts to explore the translation strategies of poem's musicality, hoping that it may provide a new analysis pattern.

以文本类型学为基础来探讨音美翻译策略，能为这个问题提供一种新的分析模式。

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There exist differences between the two languages, but the principle and effect of distribution of sound beauty reflected by permutation of word order shows the wonder of equally satisfactory results.

两种语言虽有差异，但通过语序变位体现出来的音美配置原则和效果却有异曲同工之妙。

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As is confirmed by translation practice, the success of trademark translating is mainly measured by its aesthetic value which finds expression in beautiful sense, form, and sound.

其中，商标的美学价值是商标翻译成功与否的关键。商标的美学价值主要体现在音美、形美、意美。

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It holds that the main point of verse translation depends on versions to transmit the beauty in form, sound and sense and also reproduce the style of the original.

认为诗歌翻译的要点在于译文应传达原文的形美、音美与意美，同时对原文风格进行再创造。

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So in poetry translation, the translator must be faithful not only to the beauty in meaning and form of the original but also to the beauty in sound.

译诗词时，既要忠实于原文的意美和形美，又要忠实于原文的音美。

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Basing on the previous practices in this field and the characteristics of poetry translation, the author puts forward two principles that may guide the process of translating.

同时，还结合前人的翻译实践以及诗歌翻译的特征，提出了音美翻译的两项原则，为指导具体的翻译实践服务；

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A Consideration of the Present Situation of Physical Musical and Artistic Education of Rural Middle Primary Schools and the Teaching Task of the Three Subjects in Teacher's Colleges

农村中小学体音美教育现状与师专学校体音美教学任务的思考

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The previous studies of translating reduplicated words are mainly about how to recreate the words' beauty in form, and always neglect the beauty in sound.

以往对如何翻译叠词的研究当中，基本上都是侧重于如何在译文中再现汉语叠词的形美，而严重忽略了叠词的音美。

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In this aesthetic recreating process, there are three major ways to recreate: pronunciation aesthetics, semantic aesthetics and the combination of them.

在商标翻译的审美再创造过程中，音美再创造、意美再创造和音意合一再创造是三种主要的再创造手段。

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The analyze and comparison of the two version give a good illustration of the recreation and embellishment of poem translation.

两译作中原诗意美、音美及形美再现的比较分析，进一步说明了诗歌翻译美化之艺术的实现。

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The beauty of classical Chinese poetry ( CCP) is embodied in its sound, form and sense.

中国古典诗歌的美集中体现在音美，形美，意美三方面。

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Given that poetry is translatable, the author will focus on the beauty of sound.

在承认诗歌可译性的前提下，笔者将重点研究中国古典诗歌翻译中音美的传递问题。

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