timbre的例句大全

Influence of the Left Hand to the Timbre in Violin Playing

小提琴演奏中左手对音质音色的影响

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In feature extraction, this paper introduces the new timbre feature which mainly consist statistical features.

本文在音乐特征提取方面，引入音质特征，主要包含其统计方面的特征。

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How to Preserve and Enhance the Timbre and the Individual Instrument Characteristic

音色与个别乐器个性的保持和加强&朱践耳《第六交响曲》音色分析

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On The Timbre Feature of Electronic Music and Its Influence on the Methods of Music Creation

电子音乐中音色特性及其对音乐创作路径的影响

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On the Timbre Used in Computer Music

浅谈电脑音乐中的音色运用

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Two Element in the Timbre Training of Flute Playing

竹笛演奏音色训练的两个要素

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Rational Use of Timbre Bank in Vocal Music

声乐音色库的合理运用

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Study on Timbre Subjective Evaluation of Concert Hall

音乐厅堂音质主观评价方法研究

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Special Quality of Music Timbre

音色的特殊品质

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On the Unique Pursuit of Timbre in the Music of the Twentieth Century

谈20世纪音乐中对音色的独特追求

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I was a fool, he said, finally, his voice low, without timbre.

“我是傻瓜，”最后他说，声音低沉，没有一点激情。

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Timbre Treatment in an Ensemble Played by two or more Instrumentalists

重奏艺术中的音色处理

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The timbre is unfolds the work intrinsic spirit most direct, the most effective way.

音色是展现作品内在精神的最直接、最有效的途径。

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The playing Key of Bach's style is to play out different timbres with mild ways of playing the clavier in a slower speed.

采用较慢的速度、温和的触键方式以及在不同声部弹出不同音色的演奏方法是掌握巴赫作品风格的关键。

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No matter the method in touching key or the utilizes of footboard, all of these served him to arrive the primary intention that the impressionist timbre when creates music.

不论是触键方法还是踏板独特运用，归根结底都服务于他在创作乐曲时所要求的印象派音色主旨。

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It discusses the four performance patterns: sweet timbre, mellower singing, morbidezza feature and beautiful figure.

就表现形态的四个方面：音色甜美、演唱醇美、风格柔美、形象俊美，一一展开讨论。

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It is necessary to enhance throat enginery, improve resonance timbre, tone up the aesthetic feeling of voice and improve voice technical skill targets in voice exercise and study.

在声音的修炼上，要提高嗓音机能，改善共鸣音质，增强声音的美感，提高声音技术技巧指标。

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Timbre Modeling of Computer Musical Instrument Based on Double-Total-Sine

基于双全正弦的计算机乐器音色建模

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But in the piano-playing teaching, the understanding of the timbre of the piano opuses is a problem of importance but not easy to grasp.

但在钢琴演奏教学中，对钢琴作品音色的感受和把握常常是一个重要却又不易的问题。

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